Film Review: Drive

What I remember from the opening moments of Drive: wide shots of glittery Los Angeles taken in the black of night, opening credits scribbled in thick pink font, electronic pop music that sounded like it could belong in a Brett Easton Ellis novel, and the feeling that I was about to witness an auteur’s breakout American film. I was not disappointed. Danish filmmaker Nicolas Winding Refn (Bronson) took home the “Best Director” award from this year’s Cannes Film Festival for Drive, an invigorating, raw crime thriller with a loaded cast, including Ryan Gosling, Carey Mulligan, and Bryan Cranston. The beauty of this film, as a whole, is that it is purely the vision of its director, and it does not appear to be related, in any way, to the monotonous cookie cutter films that Hollywood can churn out by the dozen. Although Drive has its flaws, it is a work of art, a film that can actually be digested and dissected, scene-by-scene, with moments that are exhilarating, shockingly elegant, and beautifully brutal.

To read the full review on Fanboy Comics click here!

Advertisements

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s